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30 November 2012

A Young Doctor's Notebook: Episode guide

Below you find the episode guide of the upcoming Sky Arts drama A Young Doctor's Notebook.

Warning: spoilers


Episode 1

Thursday 6 December 2012, 9pm

Based on Mikhail Bulgakov’s collection of short stories, A Country Doctor’s Notebook, the series follows a recently-graduated young medic (Radcliffe) who is forced to say farewell to life in bustling Moscow to take up a post as a doctor in a small, remote hospital a thousand miles from the capital, and half a day’s journey from the nearest shop.

Hamm plays the young doctor 17 years on, who finds his old diary while answering to the authorities about self-prescribing morphine. He has a series of comic exchanges with his young and inexperienced self, mocking him for his youthful looks and guiding him through his early difficulties on the job.

Episode 2
Thursday 13 December 2012, 9pm

The young doctor (Radcliffe) grows increasingly frustrated with his patients, who exploit his naivety and fail to heed his desperate warnings about the dangers of syphilis. When an eight-year-old girl falls on a lathe, he is also forced to conduct a double amputation. Blinded with panic, his older self (Hamm) does little to put his nerves at ease as he prepares his blunt saw for the operation of his career.

Episode 3
Thursday 20 December 2012, 9pm

While revolution hangs in the air in Moscow, the young doctor (Daniel Radcliffe) feels increasinglyisolated in the tiny and remote village of Muryovo. Longing for cigarettes, a newspaper and “a knock on the door that isn’t a dying girl”, he packs his trunk for the day-round trip to the nearest shop, only to learn that it doesn’t open until August.

Desperate to escape, he jokes about how many people he might have to let die before he is stripped of his licence and allowed to return to the bright lights and shops of Moscow. Meanwhile, his older self (Jon Hamm) begins to suffer from the unsavoury side effects of his acute morphine addiction. The doctor is hit by terrible stomach pains when an unconscious girl is carried into the surgery.

To his horror, he realises he will need to perform a complicated tracheotomy; however, the hardest part is convincing her family that the girl’s problem cannot be solved with drops or pills. After also assisting during a tragic birth in the snow, the doctor takes to his bed, bent double with stomach ache. Desperate to stop the pain and to escape the snow and boredom of Muryovo, he reaches for his medical bag. And, despite the protests of his older self, fills a syringe with morphine.

Episode 4
Thursday 27 December 2012, 9pm

After a performing a recent tracheotomy made him famous, the young doctor (Radcliffe) is inundated with patients as the episode opens. However, despite his newfound celebrity, behind closed doors he begins to experience the embarrassing and unsavoury side effects that have been plaguing his older self (Hamm).

Repulsed by what is happening to his body, the young doctor takes a bath. Joined in the tub by Hamm, he vows to make a clean start and decides to open a specialist syphilis clinic to combat the disease rife in his remote village. During a long journey to a patient with a critical head injury, he defiantly hurls the key to the morphine cupboard into the snow. But, on his return, withdrawal symptoms hit him hard.

His older self makes an unwelcome appearance in the carriage, blaming the young doctor for destroying his life, dignity and friendships with his weakness. In too deep to heed the warning and turn his life around, he throws himself from the carriage and begins to search for the lost key. But, while scrabbling in the snow, he spirals into dark hallucinations in which he is haunted by a terrible fate and a visit from his revered predecessor Leopold Leopoldovich.

source: cultbox.co.uk

Updated: Daniel Radcliffe looks back at his youth with The Independent Radar magazine (UK)

This is the article which will appear in the 1 December print edition of The Independent's Radar magazine where Daniel talks about his upcoming projects The F Word, A Young Doctor's Notebook, Kill Your Darlings, some earlier projects and more.

Update: 6th December 2012. There are also new photos from the photoshoot by David Sandison, but I was told I'm not allowed to post them because of copyright. There is a photo here via The Daily Beast.

'I've got to start," says Daniel Radcliffe, "by saying my mum sent me a column you wrote." For a moment, I'm thrown. I've got half an hour to interview one of the most famous young men in the world, which is less time than I've ever been given to interview anyone, and he's talking about my work? The column, it turns out, was about Israel and Palestine, and mentioned a TV series called The Promise, which his mother cast. The column, from what he's saying, was a masterpiece. And Daniel Radcliffe is clearly a very astute young man.

I've already been impressed by his manners. He's polite to the photographer, polite to the PR, polite to the various people milling around the hotel suite who are all there, it's clear, because of him. He's polite as the photographer snaps, and asks him to look this way, and that way, and out of the window, and polite as the photographer leaves. And now that we're on our own, on a sofa, in a Soho hotel room, he's being very, very polite to me.
He's being so nice that I want to be nice back. I want to tell him how much I love his work, but actually, it's a bit tricky. I didn't see him in Equus, which he starred in five years ago in London, and four years ago on Broadway, and which got him proper rave reviews. I didn't see him in How to Succeed in Business Without Really Trying, the Broadway musical he did last year. I did see The Woman in Black, James Watkins' film of Susan Hill's novel, which came out in January, and was the highest-grossing British horror film for 20 years. But I can't really say that I thought the novel was brilliant, but the film was a bit ridiculous, and that although he was very good at looking frightened, he did have to do it an awful lot. And I can't say all that much about Harry Potter. I don't, for example, feel that I can tell him that I haven't read a single one of the books. I can't really say that I don't have children, and I don't see why a grown up would read children's books if they didn't have children, and that I only had three days' notice for the interview, which wasn't enough to catch up with eight films and seven books. I could, I suppose, tell him that I did go to the video shop and get Harry Potter and the Deathly Hallows Part 2, and that as far as I could tell he was very good in it, but I don't really feel I could tell him that, even with a Wikipedia summary in front of me, I couldn't work out what was going on.

And I can't tell him that he's brilliant in A Young Doctor's Notebook, the new series he's starring in, with Jon Hamm, for Sky Arts, because I've only seen a tiny clip. But I have read the book. It's based on a Mikhail Bulgakov book. And I do know, because I have, at least, managed to do a bit of reading, that Daniel Radcliffe is a very big fan of Bulgakov. I know, in fact, that The Master and Margarita is his favourite book. And so, because I want to be nice, just as he's being nice, I ask him about his favourite book. "I read it," says Radcliffe, and his clear, blue eyes look even bluer as he says it, "and immediately loved it, and read it again immediately afterwards, and then, for my 21st birthday I went to Russia to visit his apartment, as my present to myself." I'm smiling. I can feel I'm smiling. I'm smiling not just because I want to be nice, but because one of the richest young men in Britain, who's "worth" £40million, and who has houses in New York and London and Australia, and artworks by Damien Hirst, and who can buy pretty much anything he likes, thinks that the best present he can get himself is a visit to the home of the dead author of a Russian book.

"The first time," says Radcliffe, "I went there alone. And then, when I did The Woman in Black press, they took me around, and I kind of seemed more knowledgeable about it than the interviewer. But my friends have always called me Mr Thorough, in that when I get into something I become obsessed with it." From the way he's talking, you can see he might. From the way he's talking, you can see he might do quite a lot of things with the kind of energy that has other people running to catch up. After reading the book, he saw The White Guard at the National Theatre, and then read A Country Doctor's Notebook. Two years later, he was approached to play the young doctor in the TV adaptation. "They had no idea," he says, "that I was this obsessive fan."

A Country Doctor's Notebook, like The Master and Margarita, is very, very funny, and very, very dark. It's based on Bulgakov's own experiences as a young doctor on the eve of the Russian Revolution. The horror in it – the horrible diseases, the weird growths, the bloody amputations – is described in such deadpan tones that at times it seems surreal. But it isn't. The Master and Margarita, on the other hand, which tells the tale of the Devil's visit to Moscow, is. It's a kind of magic realism. It is, you might almost say, magic for grown ups. It is, you might almost say, magic for a child wizard who has grown up. Couldn't you?

"Yes, absolutely," says Radcliffe. "But I think that's in me anyway. I've always had a slightly overactive imagination. Bulgakov clearly did as well. I find the book fascinating," he adds, "because of the way it was written." It was written, this son of a literary agent reminds me, over about 14 years, in secret, and only published 30 years later, in censored extracts in a magazine. Within days, he says, "people could quote passages to each other on the streets". Within months, some of the phrases in it, like "manuscripts don't burn", had become part of the Russian language. Within months, in other words, it had a mass impact on a whole culture. Like, for example, Harry Potter?

"It is," says Radcliffe, and he doesn't seem to flinch at the question, "something that has. It's in the collective consciousness of a generation, and there are words that are now filtering into the language, like Quidditch and Muggle. It's a shared set of references, I suppose, and it's quite universal. Potter was so massively wide-ranging, and read by everyone." I nod. I feel a bit guilty, but I still nod. It was read by pretty much everyone. Just not, unfortunately, by me. "I'm always pleased," says Radcliffe, and he sounds as though he means it, "to be associated with something that was so important. And it's not just a franchise. It's only really in the past few years that that word has been bandied around, and it makes everything seem very cold and business-like. We were always wanting to prove ourselves and get better with every film."

Well, yes. It's already clear to me that Daniel Radcliffe is the kind of person who's always trying to do things better. This, after all, is a man who learnt to sing and dance from scratch for a Broadway musical. This is also a man who had never acted in a theatre and who, at 17, took on a starring role. And not just any starring role, but one that meant he had to face the world, or at least a West End audience, stark naked. The young doctor in A Young Doctor, I remind him, is almost paralysed with fear at the terrible tasks – the hacking, the digging, the chopping - he has to take on. It looks, at least from the outside, as if fear is quite a motivating factor for him, too. Is it?

"Oh, it's very motivating," says Radcliffe, with an eagerness that has me smiling again. "I don't want anyone ever to say 'you know, maybe somebody could do Dan's job better than him'. In the past, they could legitimately say that at certain points. I haven't always been thrilled with my work. But the fear of not proving the people wrong who think you can't emerge from a franchise and do well, that's a very strong driving force."

It sounds, I say, as if he swings between massive confidence and massive insecurity. Radcliffe laughs. "With any kind of artistic thing," he says, "it's a muscle, like any athlete, and the moment you're not doing it, you lose all confidence. That's why I'm terrible with down time. And actually," he says, "what's been great about the last year and a half is that I have found a confidence. Before, basically, by the time we got to the end of Potter, I was going 'I don't know if I can do this, I don't know if I'm good enough'." He tells me about Gary Oldman, who turned to him on his last day of playing Sirius and asked if he thought he'd been any good. He mentions Tom Brady, the American footballer, who says, apparently, that he wants "to earn it" every single day. "I think," he says, "the things I have on my side are whatever ability you have naturally, but on its own that's worthless, you have to want to work."

Ah, yes, work. Well, Daniel Radcliffe clearly does want to work. Between the afternoon and evening shows of How to Succeed in Business Without Trying, he would, he says, watch boxing he'd stream from Sky. "I'd go 'you know what, if they can do that, I can do that again', because even though my body was falling apart, I was, like, they're doing that and getting punched." Before he did Equus, he worked with a voice coach for 18 months. "Not," he says, "that I was by any means the finished article by the time I went on stage, but I was a lot further along than I would have been if I hadn't done that work." You might, in other words, be able to succeed in business without trying, but you sure as hell can't in theatre, or film.

He has, he tells me, just finished filming Kill Your Darlings, about a period in the life of the Beat poets. It is, he says, about "young love", but it's "also a story of a liberation". It will, he thinks, be "more irreverent" than Walter Salles' On the Road, which, at the time we meet, isn't yet out. Radcliffe plays Allen Ginsberg. Many bookish young men, I tell him unnecessarily, find the whole Beat thing incredibly glamorous. Does he? For a moment, he looks torn. He wants to be polite, and give me the answer he thinks I want, but he doesn't want to lie. "Not as much," he says, in the end. "I used to write a lot of poetry, I would always use form and metre and rhyme. I love all that stuff." He wrote his poetry, for fairly obvious reasons, under a pseudonym. He sent it off to Stephen Fry, and Tony Harrison, and got "great responses" from both. If Harrison said he liked it, I tell him, I think he probably did. At a poetry reading I once organised, he certainly wasn't slow to criticise the wine.

The Beats' work was, of course, all about youthful excess. A Young Doctor's Notebook, on the other hand, is all about feeling too young to be doing what you're doing. Radcliffe has, in a way, been too young to be doing what he was doing since he was about 10. He grew up on a film set. He had his lessons on a film set. He had his first kiss, and his first relationship, on a film set. He has spoken, I remind him, about feeling more comfortable in the company of adults, and feeling like a fish out of water at school. Is it a relief to have stopped being a child, and to be allowed to be a young man?

Radcliffe smiles his sweet, polite smile. "I said to my mum, when I was seven or eight, I was in the bath, 'I'm not good at anything, I'm not good at sports, I'm not good at school, and I remember my mum saying 'but you've got social skills', and I remember turning round to her and saying 'that doesn't count'. When I say I wasn't good at school, I do mean that." I fight an urge to hug him. He's so clever, and eager, and polite, and nice, and he wants to tell me how bad he was at school.

He didn't, he explains, do well in class, because he couldn't shut up. "I've always," he says, "loved talking to people. I've always been very curious about everything. I think it's the most important quality anyone can have." So do I, but he still hasn't exactly answered the question. "I am getting an impression," he says, when I remind him what it was, "that I'm starting to be seen as a young man, which is lovely. I thought that would take longer, to be honest, but it hasn't."

At 23, he seems to have put his own youthful excesses behind him, which could make some of us feel quite old. He has, for example, stopped drinking. There was a time, which started when he was 18, when he would drink until he blacked out. He drank on his own and became "a recluse". At 20, he gave it up, and is now teetotal. Does it feel a bit weird to be already looking back on a (partly) misspent youth? For a moment, Radcliffe's smile fades. This, it's clear, isn't his favourite subject. "There are," he says, "other ways of having youthful excesses! I don't want to give the impression I'm a boring bastard that never goes out. I still have a really good time. It's about going 'if I continue like this, I will jeopardise my career, and the thing I love'. I've been working every day since I was 11. I don't know how to not work, it's what I love doing. In fact my identity is so wrapped up in who I am when I'm on set that I kind of need to work on that." The drinking, of course, was about the pressures of celebrity. It must, I tell him, be awful to feel that the only privacy you ever get is in your own home. It is awful. It's clearly awful. But Radcliffe won't say so, even though he's said so before. "There is," he says carefully, "an upside to fame, in that hopefully next year a shitload of people are going to be introduced to Allen Ginsburg. A lot of people would not have gone to see Equus, and have been introduced to that play. They can come in for the wrong reasons, I don't care. As long as they stay for the right reasons, because the material is good." The main thing that annoys him about celebrity, he says, is that people assume he thinks his opinions have a higher value because he's famous. "I'd just like to take this opportunity," he says, "to make it clear that I don't. I just answer these questions because people ask."

Sadly, our time is up. I feel I could talk to him all day, but our time is up. But two and a half months later, on a flying trip to London, and in the same hotel in Soho, he agrees to see me again. He has just finished filming a film called The F-Word. He's just about to start filming a film called Horns. His holiday, if you can call a weekend spent partly talking to journalists a holiday, is two days. "You can't," he says, "wait around. It's so hard to get any film made. When the opportunities are there, you have to take them." But surely, I say, this must take its toll on his private life? And is he still with his girlfriend, Rosie? "I'd love it," he says, so politely I feel like the worse kind of hack, "if we didn't talk about that." So we talk about the new films. We talk about fame. We talk, because you can't not when you're with Daniel Radcliffe, about the importance of work, and how laziness pisses him off. I mention manners. He has, I tell him, got really lovely manners. "I just don't," he says, as if this was completely normal for a film star, "really have it in me to be rude."

And then we go downstairs to a screening room to watch the first two episodes of A Young Doctor's Notebook. It's very funny, in a much more slapstick way than the Bulgakov short stories, and very dark. It's very well scripted, and very well acted, with a very handsome, very tall Jon Hamm as an older version of the doctor, and a very handsome, rather short Daniel Radcliffe as his young self. And Daniel Radcliffe is great. He has top notch comic timing, and he's great. Daniel Radcliffe is, in fact, not just very nice, and very polite, and very hard-working, and very bright. He is also, I can finally tell him, and do, over a glass of wine for me, and a glass of water for him, at the drinks after the screening, a very good actor indeed.
source: independent.co.uk

29 November 2012

Updated(2): Kill Your Darlings to premiere at Sundance Film Festival 2013

Sundance Film Festival announced it's 2013 line up of In-Competition films. Daniel Radcliffe's Kill Your Darlings will premiere at the festival. Other films confirmed to screen at Sundance include Octavia Spencer's drama Fruitvale and Rooney Mara's new movie Ain't Them Bodies Grand. The film festival will be held between 17th and 27th January 2013, out in Park City, UT.

Update:
15th December 2012. Sundance released their schedule and Kill Your Darlings premieres on Friday 18th January (3.30 pm)
Update: 8th January 2012. Daniel has confirmed that he will be attending the festival  for the premiere of Kill Your Darlings (via his Google+)

Daniel:
I'm very excited to go to Sundance for the KILL YOUR DARLINGS premiere on January 18th and reunite with the other beats. I've already got my warm coat ready!
--
    For the 2013 Sundance Film Festival, 113 feature-length films were selected, representing 32 countries and 51 first-time filmmakers, including 27 in competition. These films were selected from 12,146 submissions (429 more than for 2012), including 4,044 feature-length films and 8,102 short films. Of the feature film submissions, 2,070 were from the US and 1,974 were international. 98 feature films at the Festival will be world premieres.
    Kill Your Darlings
    / USA. (Director: John Krokidas, Screenwriters: Austin Bunn, John Krokidas) — An untold story of murder that brought together a young Allen Ginsberg, Jack Kerouac and William Burroughs at Columbia University in 1944, providing the spark that led to the birth of an entire generation – their Beat revolution. Cast: Daniel Radcliffe, Dane DeHann, Ben Foster, Michael C. Hall, Jack Huston, Elizabeth Olsen.

    source: sundance.org

    28 November 2012

    Behind the scenes: Daniel Radcliffe & Jon Hamm discuss A Young Doctor's Notebook

    A look behind the scenes of A Young Doctor's Notebook.

    Mad Men's Jon Hamm and Harry Potter star Daniel Radcliffe talk about their roles in A Young Doctor's Notebook, the new miniseries coming to Sky Arts 1 HD on 6 December. The series is an adaptation of Russian author Mikhail Bulgakov's novel of the same name. Hamm and Radcliffe reveal that they both have a true passion for the author



    source: Sky Arts, via guardian.co.uk Length: 3 min 06 sec.

    27 November 2012

    A Young Doctor's Notebook: Radio Times, Satellite Week scans

    Scans have appeared online of Radio Times & Satellite week, both articles + some new promotional photos for A Young Doctor's Notebook which starts in 9 days on Sky Arts.


    Radio Times magazine


    Satellite week


    source: Tumblr

    Exclusive: Daniel Radcliffe has joined social media: Google+

    http://google.com/+DanielRadcliffe
    Josh Horowitz from MTV News just posted the news online that Daniel Radcliffe has joined social media, but not with Facebook or Twitter. Some of you (well I did) may have noticed the verified Google + account already some weeks ago.
    "This has mainly come about because of the amount of people that I meet who tell me that they have contacted me on Twitter or Facebook when I know that's impossible — because I don't belong to either one of those sites," Radcliffe told MTV News about joining Google+. "Now that I have this page, there will be an outlet for accurate information and hopefully people will not waste their time giving credence to people pretending to be me."

    So, Radcliffe hopes his frequently-updated Google+ page will keep imposters out and the facts straight regarding his professional life. "It will be active," he said, "but with updates about things I'm working on or have worked on, including things I'm passionate about, like The Trevor Project. What it won't be is the minutia of my daily life, like what's on the craft services table."

    So while Radcliffe's Google+ won't let you know whether or not he picked macaroni and cheese for lunch on the "Horns" set, it will still provide insight into his craft and career goals. But with more and more inside details on one of today's hottest actors readying their way onto the web, it would be completely understandable if Radcliffe is feeling some trepidation over his official online debut.

    "Trepidation sums it up very well," he agreed. "It's a sense of not knowing what to expect, as opposed to any actual worries."

    Are you active on Google+ and ready to follow Daniel (or you do already)? You can also follow danieljradcliffe.tk while I still try to figure out how everything works...

    Unseen pictures etc. also will be posted on this site. Check the label Google+.

    source: mtv.com

    26 November 2012

    Updated: Seven magazine's interview with Daniel Radcliffe (UK)

    The Sunday Telegraph's Seven magazine from yesterday features Daniel on the cover with new interview + photoshoot. Dan talks about Horns to A Young Doctor's Notebook, that he is happy that people call him by his name instead of "Harry Potter" and more.

    Update: 13th February 2013. Outtake:

    Dan Burn-Forti about Daniel:
    "Daniel Potter, I mean Radcliffe, was a most excellent chap and, along with the Liverpudlian stylist Danny, we made a mighty 3 Dan's. Harry, I mean Daniel was publicising a new adaptation he was in of Blugakov's A Young Doctor's Notebook which led us to a lengthy celebration of the greatest book ever (we decided this) The Master and Margarita, by the same author. It really is a fantastic book. Everyone should read it!"

    Daniel Radcliffe bounds in to the hotel room like an eager puppy, all hand shakes and smiles for the assembled publicists, PAs and make-up artists. He is talking excitedly about the “gorgeous blonde” he just met in the corridor. She had asked if he could direct her to her room – not so subtly revealing her room number in the process – and he hadn’t been able to assist her. “But it wouldn’t have worked anyway,” he says, “because she was about 6ft 2in.” He’s joking, he has a girlfriend, but the point he makes about his height is an intriguing one. He is 5ft 5in. This is the first thing you notice about him, but luckily it is not the first thing the camera notices. Film cameras love a male lead whose head looks slightly too big for his body, and smaller actors are more likely to have this golden ratio than taller ones: think Alan Ladd, Humphrey Bogart, James Dean, Dustin Hoffman, Tom Cruise and so on.

    Today, at 23, Radcliffe looks limber and lean in jeans and checked shirt, with prominent dark eyebrows and wide blue eyes. Almost in parody of his cameo for Ricky Gervais’s Extras – he played himself as a horny teenager desperate to look rebellious – he tells me he is “addicted to nicotine” and needs to have a cigarette before we begin our interview. He rolls one up and smokes it out of the window.
    I ask if this is a privilege of film stars. “They let me do it here so that I don’t have to stand outside,” he says. “There will be photographers, not for me, but just because they hang around smart hotels like this. It’s pretty much the only thing I exploit my position for, to be allowed to smoke inside.” Well I should think a lot of the time he doesn’t have to exploit his position because “his people” exploit it for him, clearing a path, booking the best table and so on. “I try not to let that stuff happen, but yes, it could be happening without me knowing. I don’t have an entourage in my personal life. I get driven here and I get driven home, but that’s it. I hate that kind of dropping a name to get a table stuff. Maybe it’s an English thing that there’s just some sort of embarrassment saying: ‘Hello, I’m Daniel Radcliffe, does that make a difference to you?’” That he qualifies his comment about the photographers by saying that they won’t necessarily be waiting for him is telling. His modesty, self-deprecation and good manners are instantly apparent, and a great credit to his parents who managed to forge a well-rounded and functional personality out of potentially dysfunctional circumstances. 

    If anything, Radcliffe seems slightly too eager not to appear starry or arrogant. He tells me he never does drugs, having seen the effects they have on people. And after a few too many drinking binges that ended in blackouts he gave up alcohol in 2010. He has said in the past that he was a “really annoying, loud, inappropriate, messy drunk”.
    Was it that when he was drunk he revealed a side of his personality he didn’t like? “It wasn’t that I became a nasty person at all, it was just that I felt that I was running away from thinking about things. It was a way of ignoring all my own fears about ‘Will I be able to keep going in this business after the Harry Potter series ends?’ You know, it was a way of, I think, coping with that. And it was a very bad way of coping with that.” Well, there was life for him in the film world after Potter. On the morning I meet him the papers are all carrying stories about the film he starred in earlier this year: The Woman in Black, which has become the highest-grossing British horror in 20 years, taking more than $127 million around the world. The stories, which he hasn’t had a chance to see, are about how The Woman in Black has become the most complained about film of the year, because even though it was 12A, parents took their young children to it. “Oh that,” he says, looking relieved when I tell him why he is in the papers. “I do take a small tincture of pride about it being the most complained-about film.

    I would have thought from the trailer that you could sense what kind of a movie it was going to be. I said at the time, if your kid is under 12, I would advise them not to see this film. Apparently there was a girl at the British premier who fainted and when I heard that, I was, like, ‘we did something right’.” (A film he stars in next year may prove even more traumatic for Harry Potter fans; in Horns, he plays a man who suddenly sprouts devil horns, and who may or may not be a killer.) That film was something of a rite of passage for Radcliffe, an emphatic signal that he had moved on from Harry Potter. “There was a part of me in some scenes that was slightly scared of my own face, because I know that my face is…” He trails off. “I’m scared of any sort of expression looking like a Harry expression, and so I think that the journey for me in the last year is kind of about acceptance, of going, ‘This is my face and it was also the face that played Harry’. I have to stop fighting that aspect, and not worry about being expressive at times. As far as I can tell, most actors’ main motivation is self-doubt and neuroses.”


    I ask if he felt a great weight on his shoulders as an 11 year-old when he was chosen as the star of what was expected to be a blockbuster franchise? I mean, that first film could have failed; people could have said it isn’t as good as the book and the whole thing could have fizzled out. Was it stressful? “Not at that age. I didn’t start to feel that pressure until much later. I think probably, that’s one of the best things about Chris Columbus [the director], he made the process so enjoyable we never thought of it as anything but fun, and it really wasn’t until the third film that I started going ‘OK, now I want to really dedicate myself to this and start learning about acting and getting better’.’’

    That he was working alongside some of the greats of British film and theatre – Alan Rickman, Michael Gambon, Gary Oldman – meant that he was learning from the best. Indeed there was little point in him going to Rada after he left school – not that he went to school, having had tutors on the set instead. But what about university? “I got my ASs but dropped out before taking my As because I figured university is something you do to find out what you want to do, and I knew what I wanted to do, and I was already doing it.” His co-star Emma Watson (Hermione) was able to combine the two, though. Did he not fancy doing that? “Well fair play to her, but I don’t think that I could have done that. And bear in mind, I did well in my GCSEs and my AS-levels, I got good grades and I was happy with them, but Emma’s grades made mine look pretty f------ shabby, you know. Emma is seriously academic.”

    Besides, he is a voracious reader of poetry and fiction, as I discover when he tells me about Kill Your Darlings, the low budget but artistically uncompromised film he made after The Woman in Black, which is due to be released next year. He plays the poet Allen Ginsberg and his knowledge about and passion for the Beat Generation is certainly impressive; Radcliffe can talk at length about Ginsberg’s journey from middle-class conformity to the world of “rich, moneyed libertines”.

    He’s also amusing about what it was like playing a gay man. “I was in a position that I had not been in before,” he recalls. “It was slightly odd, but that film was shot so rapidly there was no time for prudishness or for worry.” On the subject of his love life – he’s straight, by the way – he says it is much easier dating girls who are in the film world because “they can be relaxed about all the time you have to be on location, and the love scenes you have to do. Where you’re kissing someone else, that takes a bit of getting used to, for everybody. And even when I went out with an actress who was having to do a love scene with somebody, I was like ‘Erm… I’m not sure I’m going to watch that’. It is always a weird thing, there’s no getting away from that.

    “The Ginsberg film wasn’t so much of a problem in that respect because it was mainly men that I was interested in for that.”

    Before that film is released there will be another literary outing, this time a TV miniseries. A Young Doctor’s Notebook is a black comedy set during the Russian Revolution adapted from several short stories by his favourite Russian writer, Mikhail Bulgakov. His co-star is Mad Men’s Jon Hamm, who will play the same character, a doctor, in an older guise. “I think they were going to release it in the spring of next year,” says Radcliffe, who adds that he’s “immensely flattered” that he might one day turn into Hamm. “And then they were, like, ‘Let’s release it at Christmas, because there’s lots of snow in it’. It’s not remotely festive, but it’s snowing all the time.”

    During filming he says he learnt quite a lot about how to amputate limbs. “And I do think I could probably perform a tracheotomy now.’

    In terms of his role choices, you have to admire the determination with which he has avoided anything that can be compared to Harry Potter, especially when you consider how much pressure he must have been under to consolidate on his success in that role. Before the Ginsberg and the Bulgakov he had an even more unexpected stage debut, at the age of 18 in 2007. It was in Equus, Peter Shaffer’s controversial play about sexual deviation.

    “That was a signal of intent,” he says now. “Looking back, that’s probably the most important choice I’ve ever made, in terms of things outside of Potter, because it showed people that I’m not just here to capitalise on the fame that I’ve got from Potter for as long as I can. That’s not what I’m about. I’m playing a much longer game than that.”

    The part entailed a nude scene that prompted the inevitable headline “Harry gets his wand out”. But it was worth it. Charles Spencer of The Daily Telegraph hailed Radcliffe’s “dramatic power” and “electrifying stage presence”. For most men, I say, exposing yourself in front of a crowd of strangers is the stuff of nightmares. So what was it like? “It’s odd the first couple of times you do it, but it does just become a job. Looking back, I do think I was probably braver then than I am now. I spoke to a friend who did Hair, and he said: ‘I like getting naked on stage, it’s fun’ and I said: ‘You were in Hair! You got naked for, like, a minute, and it’s an ensemble with loads of naked people. Mine was on my own and lasted 10 minutes!’ ” His life so far is hard to empathise with, I say – he’s the richest person under 30 in this country, for example – but I wonder whether his teens were all that different from everyone else’s. When I was that age, as I recall, I was rather self-conscious. Was self-consciousness ever an option for him, given that he was by then used to having his face projected on cinema screens and billboards across the land?

    “You can still be self-conscious in my position. And shy. Shyness displays itself differently in me. I think it’s more an awkwardness. Like when I go to those events, like the Baftas, or like I was invited to this thing called the Met Ball, and I ended up having a good night because I took a friend, but normally I feel very awkward at events like that.”

    Because? “Because I don’t feel that I’m good at small talk, and I’m not… You know, meeting people in that fleeting way, I never know how to give an accurate impression of myself, so I just become nervous, and stumbley.”

    When people recognise him in the street, do they say “Hey, there’s Harry Potter!” or do they say “There’s Daniel Radcliffe”? “I’d be lying if I said I didn’t get Harry Potter at all. Of course I do. But you know what? I’d say the split is now rather encouragingly in favour of Daniel Radcliffe, which is rather lovely. I walked past two girls on a bench the other day, and I heard them both go ‘Oh my God, it’s Daniel Radcliffe’, and every time that happens I think: ‘Yesss!’ Not because they recognise me, because they use my name.” One’s teenage years are awkward enough without having to live them in a spotlight, I say. Did he have people around him helping him deal with the pressures of fame – therapists, I suppose I mean? “You know, the people I talk to are my mum and dad. They are amazing people, and were always great at making me aware of which parts of it were real and which weren’t, and making me aware of which parts were important and which were not.”

    It helped that they were in the business, he says. His father, Alan, is a former literary agent, who gave up his job to chaperone his son when he was chosen from thousands to play Harry Potter. His mother, Marcia, is a casting agent, who put him forward for that fateful audition. So even though he was growing up on film sets, where the whole world was apparently revolving around him, his parents managed to keep his ego in check? “I don’t think that’s in me to be honest. I’ve not got… I’ve always had, like, from the age of about 11, I’ve had such an intolerance for bad behaviour of actors that I don’t think I was ever going to be that person.” What about the financial side of things? “I have an amazing lawyer, and I have my mum, and I have my accountant, who was my mum’s accountant when she was young. He’s called Keith and he’s also brilliant.”

    I imagine Keith knows how much young Daniel is worth, but does Daniel know? “I do not, no. I hear things said, but I don’t know if any of them are true. And I never want to seem ungrateful for it all, but the money is not a motivating factor in my life. Also,” he adds with a laugh, “I would be the last person who should be left in charge of it, frankly. Because I am so terrible at maths. Not that I’d blow it or anything, but I just wouldn’t do anything with it.”

    Thanks to his mother’s investment skills, then, he owns several properties in London and New York, as well as an impressive art collection including works by Damien Hirst and Craigie Aitchison. His personal fortune has been estimated as being not unadjacent to £50 million. Should the estimate be higher or lower? “I’m not going to play this guessing game,” he says politely but firmly. “I’m just not.”

    His politeness seems to be one of his defining characteristics. For his own part he has, in the past, described himself as nerdy, hyperactive and skittish, and you can see little hints of those things in his personality, too. But no one seems to have a bad word to say about him, and that, all things considered, is quite an achievement.

    It is time for his photograph and so we return to the other room. A change of shirt is needed and Radcliffe strips off to reveal an impressive six-pack, and biceps that can only have come from hours in the gym. And, yes, he does this completely without self-consciousness.

    source: telegraph.co.uk
    picture source: Dan Burn-Forti

    24 November 2012

    A Young Doctor's Notebook: BBC Review Show

    A Young Doctor's Notebook was discussed at the BBC 2's Review Show last night at 11 pm. You can view the full video below, which also features some more scenes we haven't seen before.

    Book release: Chronik eines Harry Potter Fans

    I received some news for all you German readers of danieljradcliffe.tk. Thomas Sailer, Austrian writer, released his 3rd book called Chronik eines Harry Potter Fans (Chronicles of a Harry Potter Fan) some days ago. In his book he talks about how much Harry Potter has influenced/changed his life.

    Starting off with helping out a fansite (Emma Watson Empire) to being the founder of knightbus.org, - a site which lists Harry Potter related sites and where DanielJRadcliffe.tk is listed also - and his organisation called 'The international network of Harry Potter Websites' his way to keep Harry Potter and it's fandom alive.

    A small scan about setting up knightbus.org:

    Interested? You can buy the book via the following links:
    - amazon.de
    - buecher.de
    - thalia.at



    - ISBN-10: 3849123502
    - ISBN-13: 978-3849123505
    - 184 pages

    You can view a video here. For more information about Thomas Sailer or this book, you can visit his Facebook page or his website.

    22 November 2012

    Updated: ET Canada visits Daniel Radcliffe on the set of Horns

    I posted the preview video of Entertainment Tonight Canada's exclusive interview with Daniel on the Squamish, B.C.  set of Horns some days ago on Facebook. Another short clip from the visit which has been released can be seen below.

    ET Canada's full interview aired yesterday and is in total 6:21 minutes long. For those of you who can view it (I can't due to location) can see at it at this link. I will add the full interview below when I have it.

    Update: Full interview.





    source: etcanada.com

    21 November 2012

    A Young Doctor's Notebook: Episode 1 video - Hernia

    Sky Arts has released a video from the first episode of A Young Doctor's Notebook which you can view below (or click on the image for the original link).



    "What else don't I know I don't know?" The young doctor has a little panic at the thought of a hernia patient reaching his hospital in the middle of a blizzard. Starring Daniel Radcliffe and Jon Hamm, A Young Doctor's Notebook is part of Sky Arts' Playhouse Presents series of plays.

    20 November 2012

    A Young Doctor's Notebook: promotional photoshoot

    More photos from the promotional photoshoot for A Young Doctor's Notebook.



















    picture source: Colin Hutton

    19 November 2012

    Daniel Radcliffe: Being Harry Potter documentary

    Below you find the Sky Arts documentary Daniel Radcliffe: Being Harry Potter, a Sky Movies production, and aired to promote the broadcast of the Harry Potter Films.

    18 November 2012

    Updated: Make-A-Wish Foundation: Katrina meets Daniel Radcliffe on the set of Horns

    Another wish which came true with help from the Make-A-Wish Foundation BC & Yukon. Katrina from Barrie, Ontario visited Daniel on the set of his upcoming movie Horns, she posted this picture online.

    A Note: 18th November is probably not the the exact date when the picture got taken, it's not featured at her Tumblr.

    Update: 15th November 2013. Another photo was uploaded by Katrina, see that one below.
    Katrina has always been a big fan of the Harry Potter collection and her wish was to learn more about Daniel, his film ‘The Woman in Black’ and what it was like to spend time on a movie set. Daniel graciously welcomed all to his make-up trailer to share photos, what it is like living with the challenges of a medical condition and the love of all things horror. Presented with a Make-A-Wish scarf, Daniel playfully mistook the scarf for his favorite football club – The Tottenham Hotspurs because of the team colors blue and white. What an exciting wish day for Katrina - thanks Daniel! Special thanks also to bridgestudios.com/ and fairmont.com/pacific-rim-vancouver


    source: facebook.com/MakeAWishBCYK, Katrina's Facebook and Tumblr

    17 November 2012

    Daniel Radcliffe to make an appearance at the Whistler Film Festival

    The Whistler Film Festival announced yesterday that Daniel will make an appearance at the festival which runs from 28 November - 2 December in Whistler, B.C. He will discuss his 2013 projects Horns (which he has finished filming then), The F Word and Kill Your Darlings.
    SPOTLIGHT ON: DANIEL RADCLIFFE
    Friday, November 30th I Doors 8:30PM | Tribute 9:00PM | Millennium Place I Tickets: $50
    * Limited pass holder access/Ticket required
    The Whistler Film Festival shines the spotlight on actor DANIEL RADCLIFFE (Harry Potter film series, Kill Your Darlings, The F Word, Horns) on November 30th in an intimate evening conversation that will speak to the exciting career of the r espected young British stage and film actor. We have watched him mature on screen in the eponymous role of Harry Potter, the most successful film series of all time, in which he starred in all eight films, and now he has a tremendous year ahead which includes three highly anticipated films and a return to London’s West End stage.
    To buy tickets click here

    more info: whistlerfilmfestival.com

    16 November 2012

    A Young Doctor's Notebook TV spots

    Thanks to Arthur for e-mailing me the news, below some tv spots for A Young Doctor's Notebook with new scenes we haven't seen before.